• Spacey Jane

  • Charlie Hardy

  • I

  • II

  • III

  • IV

  • V

  • About

  • We Can Be Heroes

  • World Surf League Portraits

  • Contact

  • Copyright Charlie Hardy 2024

Charlie Hardy

I

II

III

IV

V

About

Spacey Jane

We Can Be Heroes

World Surf League Portraits

Contact

Copyright Charlie Hardy 2024

Tame Impala


These photos are of Tame Impala headlining the amphitheatre at Splendour in the Grass, Byron Bay 2019. Shot for Splendour in the Grass / Secret Sounds as part of the festival’s official photo team.

Alex Cameron


Portraits of Alex Cameron shot for Happy Mag, Sydney 2020.


Lily Allen


Backstage portrait of Lily Allen before her show at Party In The Paddock, Tasmania 2019.


The Kid Laroi


I was on assignment for NME to cover The Kid Laroi’s ‘End Of The World’ Tour. This was the first night of the Australian leg. Photographed at the Qudos Bank Arena, Sydney 2022.


Liam Gallagher 


I photographed Liam Gallagher for the first time at Falls Festival, Lorne 2018. I traded tools with my friend Claudia, we both were working together on the festival's photo team. She borrowed one of my cameras and I got to use her Hasselblad 500c/m. When Claudia returned my camera, she accidentally pulled the film dark slide out and exposed the roll I had shot earlier of Liam Gallagher. Cheers for the creative collaboration with that light leak, Claudia.

Billie Eilish


I photographed Billie Eilish at Laneway Festival, Sydney 2017. She would have been 15 years old.

Baker Boy 


Portrait of Baker Boy taken backstage at Groovin The Moo, Maitland 2017.

Amyl and The Sniffers


Magazine cover of Amy from Amyl and The Sniffers commissioned by Happy Mag. The backstage portrait was taken at the Farmer & The Owl festival for Monster Children Magazine, Wollongong 2018.


DMA’s 


Series of photographs and motion film (16mm) shot of DMA’s playing at various festivals including Splendour In The Grass, Falls Festival, Laneway Festival and backstage portrait at Fairgrounds Festival. Shot for artist management, record label and festival promoters.


HAIM 


Danielle Haim photographed at Splendour In The Grass, Byron Bay 2018. Shot for Splendour in the Grass / Secret Sounds as part of the festival’s official photo team.

Peking Duk 


I shot these live images of Peking Duk for Fall Festival, Lorne 2019. The bleached polaroid portrait was taken at Yours & Owls for Monster Children Magazine, Wollongong 2017.


The Vines 


I was shooting Jet for their ‘Get Re-Born’ Aus tour and The Vines joined to play Sydney hometown shows. These photographs were taken from the side of the stage at The Enmore Theatre, Sydney 2018.


Flight To Dubai 


I shot and created the artistic concept for Flight To Dubai’s 2020 album ‘Strife’ with my brother Beau Hardy (designer/bass guitarist of Flight To Dubai). We both started to generate ideas and situations based around being in strife. This series shows the creation of the cover art from an idea, to a drawing of how I envisioned the photograph, to a test polaroid on the day before committing to shoot the cover art on film. We’ve been wanting to create something for Flight To Dubai with a film process and to use a 6x6 square format for an album cover art felt right for this. Beau created the design assets for the album’s vinyl packaging, label stickers and inserts. This series includes photos from the cover art photoshoot as well as images documenting the band’s time recording at Golden Retriever Studios, Marrickville 2019.

 ASAP Rocky 


ASAP Rocky performing at Austin City Limits, Austin 2015. Shot for Monster Children Magazine.


The Naked And Famous


The Naked And Famous on 14th March at Wine Machine, Hunter Valley 2020. At this time Australia announced travel restrictions and soon we went into lockdown, this was my last photoshoot before this all happened. I took photos in the rain out back of the stage area against the loading trucks and artist green rooms. One the photos were used as single artwork for their triple j Like A Version of “Blinding Lights”, originally by The Weekend.


POND


Both of these shots of Pond are from Splendour In The Grass, Byron Bay 2019. I photographed the backstage portrait for Happy Mag. The live shot was for the festival’s publicity team, Scrabble PR.


Dust

Tame Impala


These photos are of Tame Impala headlining the amphitheatre at Splendour in the Grass, Byron Bay 2019. Shot for Splendour in the Grass / Secret Sounds as part of the festival’s official photo team.

Alex Cameron


Portraits of Alex Cameron shot for Happy Mag, Sydney 2020.


Lily Allen


Backstage portrait of Lily Allen before her show at Party In The Paddock, Tasmania 2019.


The Kid Laroi


I was on assignment for NME to cover The Kid Laroi’s ‘End Of The World’ Tour. This was the first night of the Australian leg. Photographed at the Qudos Bank Arena, Sydney 2022.


Liam Gallagher 


I photographed Liam Gallagher for the first time at Falls Festival, Lorne 2018. I traded tools with my friend Claudia, we both were working together on the festival's photo team. She borrowed one of my cameras and I got to use her Hasselblad 500c/m. When Claudia returned my camera, she accidentally pulled the film dark slide out and exposed the roll I had shot earlier of Liam Gallagher. Cheers for the creative collaboration with that light leak, Claudia.

Billie Eilish


I photographed Billie Eilish at Laneway Festival, Sydney 2017. She would have been 15 years old.

Baker Boy 


Portrait of Baker Boy taken backstage at Groovin The Moo, Maitland 2017.

Amyl and The Sniffers


Magazine cover of Amy from Amyl and The Sniffers commissioned by Happy Mag. The backstage portrait was taken at the Farmer & The Owl festival for Monster Children Magazine, Wollongong 2018.


DMA’s 


Series of photographs and motion film (16mm) shot of DMA’s playing at various festivals including Splendour In The Grass, Falls Festival, Laneway Festival and backstage portrait at Fairgrounds Festival. Shot for artist management, record label and festival promoters.


HAIM 


Danielle Haim photographed at Splendour In The Grass, Byron Bay 2018. Shot for Splendour in the Grass / Secret Sounds as part of the festival’s official photo team.

Peking Duk 


I shot these live images of Peking Duk for Fall Festival, Lorne 2019. The bleached polaroid portrait was taken at Yours & Owls for Monster Children Magazine, Wollongong 2017.


The Vines 


I was shooting Jet for their ‘Get Re-Born’ Aus tour and The Vines joined to play Sydney hometown shows. These photographs were taken from the side of the stage at The Enmore Theatre, Sydney 2018.


Flight To Dubai 


I shot and created the artistic concept for Flight To Dubai’s 2020 album ‘Strife’ with my brother Beau Hardy (designer/bass guitarist of Flight To Dubai). We both started to generate ideas and situations based around being in strife. This series shows the creation of the cover art from an idea, to a drawing of how I envisioned the photograph, to a test polaroid on the day before committing to shoot the cover art on film. We’ve been wanting to create something for Flight To Dubai with a film process and to use a 6x6 square format for an album cover art felt right for this. Beau created the design assets for the album’s vinyl packaging, label stickers and inserts. This series includes photos from the cover art photoshoot as well as images documenting the band’s time recording at Golden Retriever Studios, Marrickville 2019.

 ASAP Rocky 


ASAP Rocky performing at Austin City Limits, Austin 2015. Shot for Monster Children Magazine.


The Naked And Famous


The Naked And Famous on 14th March at Wine Machine, Hunter Valley 2020. At this time Australia announced travel restrictions and soon we went into lockdown, this was my last photoshoot before this all happened. I took photos in the rain out back of the stage area against the loading trucks and artist green rooms. One the photos were used as single artwork for their triple j Like A Version of “Blinding Lights”, originally by The Weekend.


POND


Both of these shots of Pond are from Splendour In The Grass, Byron Bay 2019. I photographed the backstage portrait for Happy Mag. The live shot was for the festival’s publicity team, Scrabble PR.


Dust